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Why About Time Remains the Most Profound Lesson on Living an Ordinary Life
Released in 2013, About Time is often categorized as a romantic comedy with a science-fiction twist. However, for those who have revisited it over the last decade, it has transcended its genre to become something far more enduring: a cinematic meditation on grief, fatherhood, and the extraordinary beauty found in mundane existence. Directed by Richard Curtis, the mastermind behind Love Actually and Notting Hill, this film serves as his directorial swan song and perhaps his most personal contribution to British cinema.
The Premise of Tim Lake’s Extraordinary Gift
The story begins in Cornwall, where the protagonist, Tim Lake (played with endearing awkwardness by Domhnall Gleeson), lives a charmed but unremarkable life with his eccentric family. On his 21st birthday, his father (Bill Nighy) reveals a startling family secret: the men in their family can travel back in time.
The Mechanics of Time Travel in the Lake Family
Unlike most sci-fi epics, the time travel in About Time is Refreshingly low-tech. There are no machines, no multiverses, and no cosmic stakes. To travel back, a man must:
- Find a dark, enclosed space (usually a wardrobe or a cupboard).
- Clench his fists tightly.
- Focus intensely on a specific memory or moment from his own past.
The limitations are crucial to the film’s grounded feel. Tim can only travel within his own timeline; he cannot go back to kill Hitler or see the dinosaurs. He can only change things that happened to him. His father’s first piece of advice is telling: "Don't use it for money or fame." Instead, Tim decides he will use this power to find love.
From Rom-Com to Life Lessons: The Mary Storyline
The first half of the film follows a classic romantic trajectory. Tim moves to London to become a lawyer and eventually meets Mary (Rachel McAdams) at a "Dans le Noir" restaurant, where patrons eat in total darkness. Their initial connection is instant and charming, fueled by genuine conversation rather than visual judgment.
The "Kate Moss" Exhibition and the Butterfly Effect
The film brilliantly demonstrates the "Butterfly Effect" early on. When Tim travels back in time to help his playwright landlord, Harry (Tom Hollander), save a disastrous opening night, he inadvertently erases his meeting with Mary. Because he was helping Harry, he never went to the restaurant.
What follows is one of the most heartwarming sequences in the film: Tim discovering Mary’s obsession with Kate Moss and spending days at a photography exhibition until he finds her again. This segment highlights Tim's persistence, but it also subtly introduces the idea that while time travel can fix mistakes, it also creates new voids that must be filled with effort and sincerity.
The Rainy Wedding and the Perfection of Imperfection
The wedding scene between Tim and Mary is legendary among fans of the film. Set in a windswept Cornwall, a massive storm ruins the outdoor reception. Tents collapse, dresses are soaked, and guests are battered by the wind.
When Tim asks Mary if she wishes they had picked another day or used his power to find a sunny one, Mary replies that she wouldn't change a thing. It was "perfect." This is the audience’s first major hint at the film's core philosophy: perfection isn't found in the absence of chaos, but in the shared joy of navigating it.
The Emotional Pivot: The Relationship Between Father and Son
While the marketing for About Time focused heavily on the romance between Domhnall Gleeson and Rachel McAdams, the emotional heart of the movie is actually the bond between Tim and his father, James. Bill Nighy delivers a career-best performance, portraying a man who has used his gift not for grand gestures, but for reading every book worth reading and spending more time with his children.
The Limitation of Birth and New Life
A pivotal moment occurs when Tim’s sister, Kit Kat (Lydia Wilson), suffers a traumatic accident. Tim tries to use time travel to prevent it, but he discovers a harsh biological rule: if he changes the past to a time before his child was conceived, the resulting child in the present will be different. The "butterfly effect" of a single second's difference in conception means his daughter Posy would be replaced by a different child.
This discovery marks Tim’s transition into true adulthood. He realizes he cannot "fix" the lives of those he loves without sacrificing the very things he cherishes most. He must allow his sister to face her own struggles and provide support in the present, rather than erasing her history.
The Finality of Death
The most heartbreaking realization comes when Tim’s father reveals he has terminal cancer. Even with time travel, death is an inevitability. James had been traveling back for years to extend his life, but eventually, the body gives out.
The scenes of Tim visiting his father in the past after his death in the present are handled with incredible delicacy. They play ping-pong, they talk about nothing, and they simply "are." The final goodbye—where Tim travels back to a childhood memory on the beach with his father—is a masterclass in sentimental cinema, reminding viewers that the greatest gift of time is the ability to say goodbye properly.
The Two-Step Plan for Happiness
In his final days, the Father shares his "secret formula" for a happy life with Tim. It is a two-part strategy that serves as the film’s ultimate takeaway for the audience.
- Step One: Live each day as an ordinary human, with all the stresses, worries, and mundanity that come with it.
- Step Two: Live the exact same day again. But this time, use the knowledge of what happens next to notice the beauty, the humor, and the sweetness of the world that was missed the first time due to stress.
Living Without the Reset
By the end of the film, Tim goes a step further. He stops traveling back altogether. He decides to live every day as if he has already lived it once, intentionally looking for the joy in the rude shopkeeper, the crowded commute, or the rainy afternoon.
This shift from "changing the past" to "cherishing the present" is what makes About Time so resonant. It moves from being a movie about a superpower to a movie about a mindset.
The Richard Curtis Aesthetic: Music and Setting
A Richard Curtis film is unmistakable, and About Time is no exception. The cinematography by John Guleserian captures a dual version of England: the rugged, timeless beauty of the Cornish coast and the vibrant, bustling, and often gritty streets of London.
The Soundtrack of a Life
The music plays a vital role in the film's emotional resonance. Ben Folds’ "The Luckiest" serves as a thematic anchor, emphasizing the statistical improbability and sheer luck of finding the person you love. Other tracks, like Ellie Goulding's cover of "How Long Will I Love You" and the evocative score by Nick Laird-Clowes, help bridge the gap between the film's comedic beats and its more somber reflections.
The London Underground Scenes
Special mention must be given to the montage in the London Underground. Set to "How Long Will I Love You," it shows Tim and Mary’s relationship progressing through the lens of their daily commute. It’s a brilliant piece of visual storytelling that elevates the "ordinary" to something cinematic, proving that a relationship isn't built on grand vacations, but on the 8:00 AM train ride.
Critical Reception and Cultural Legacy
Upon its release, About Time received mixed-to-positive reviews. Some critics found it "too sugary" or "sentimentally manipulative." However, in the years since, its reputation has grown significantly. It has become a staple "comfort movie" for millions.
Why It Resonates Today
In an era of high-concept sci-fi and fast-paced narratives, About Time feels like a warm hug. It doesn't ask the audience to worry about the paradoxes of time travel (which are admittedly many if you look too closely); it asks them to worry about whether they have hugged their parents recently or if they noticed the sun on the way to work.
It is particularly popular among audiences in East Asia and Europe, where the themes of familial piety and the appreciation of the "now" (reminiscent of the Japanese concept of Ichigo Ichie) strike a deep chord.
Frequently Asked Questions (FAQ)
What are the "rules" of time travel in About Time?
The men in Tim's family can only travel back to moments they have personally experienced. They cannot go into the future or to a time before they were born. The physical act requires being in a dark space and clenching their fists.
Does Mary ever find out about Tim's secret?
No. In the film, Tim never reveals his secret to Mary. He chooses to use his gift to make her life better from behind the scenes, eventually deciding that their life together is so good he doesn't need to change anything.
Why did Richard Curtis say this was his last film as a director?
Richard Curtis mentioned during the film's promotion that directing is an exhausting process that takes years away from his family. Since About Time is a movie about the importance of spending time with family, he felt it was the perfect note to end his directing career on. He has continued to write and produce, but About Time remains his final directorial feature.
Is the house in Cornwall a real place?
Yes, the house used for the Lake family home is Porthpean House in St. Austell, Cornwall. It is a Grade II listed building and captures the "shabby-chic," lived-in feel that Curtis wanted for the family.
Why did the child's gender change when Tim went back in time?
This is explained by the father as a biological necessity. Because the exact moment of conception determines which sperm reaches the egg, traveling back to a time before conception and changing even a tiny detail about the evening results in a different "race" to the egg, leading to a different child being born.
Summary: The Final Lesson
About Time is a rare film that manages to be both lighthearted and profoundly heavy. It teaches us that the real "superpower" isn't the ability to go back and fix our mistakes, but the ability to live our lives so intentionally that we wouldn't want to change a thing even if we could.
The film's concluding monologue remains its most powerful legacy: "We’re all traveling through time together, every day of our lives. All we can do is do our best to relish this remarkable ride." It is a call to mindfulness, a tribute to fatherhood, and a reminder that the most extraordinary things in life are usually the ones we take for granted.