The phrase "take your money" is the defining hook of the 2007 global hit song "Paper Planes" by the British-Sri Lankan artist M.I.A. (Mathangi "Maya" Arulpragasam). While the chorus features the provocative line "All I wanna do is [gunshots] and take your money," the song is widely recognized not as a glorification of violence, but as a sharp, satirical commentary on Western perceptions of immigrants and refugees.

Quick Answer: Which MIA Song Features These Lyrics?

The lyrics "All I wanna do is... take your money" belong to "Paper Planes", the third single from M.I.A.'s second studio album, Kala. The track was produced by Diplo and Switch and famously samples "Straight to Hell" by the British punk band The Clash.

Full Lyrics for Paper Planes by M.I.A.

[Verse 1] I fly like paper, get high like planes If you catch me at the border I got visas in my name If you come around here, I make 'em all day I get one done in a second if you wait I fly like paper, get high like planes If you catch me at the border I got visas in my name If you come around here, I make 'em all day I get one done in a second if you wait

[Chorus] All I wanna do is [Bang! Bang! Bang! Bang!] And [Ka-ching!] And take your money All I wanna do is [Bang! Bang! Bang! Bang!] And [Ka-ching!] And take your money All I wanna do is [Bang! Bang! Bang! Bang!] And [Ka-ching!] And take your money All I wanna do is [Bang! Bang! Bang! Bang!] And [Ka-ching!] And take your money

[Verse 2] Sometimes I think sittin' on trains Every stop I get to I'm clockin' that game Everyone's a winner, we're making our fame Bona fide hustler making my name Sometimes I think sittin' on trains Every stop I get to I'm clockin' that game Everyone's a winner, we're making our fame Bona fide hustler making my name

[Chorus] All I wanna do is [Bang! Bang! Bang! Bang!] And [Ka-ching!] And take your money All I wanna do is [Bang! Bang! Bang! Bang!] And [Ka-ching!] And take your money All I wanna do is [Bang! Bang! Bang! Bang!] And [Ka-ching!] And take your money All I wanna do is [Bang! Bang! Bang! Bang!] And [Ka-ching!] And take your money

[Verse 3] Pirate skulls and bones Sticks and stones and weed and bongs Running when we hit 'em Lethal poison for the system Pirate skulls and bones Sticks and stones and weed and bongs Running when we hit 'em Lethal poison for the system

[Verse 4] No one on the corner has swagger like us Hit me on my burner prepaid wireless We pack and deliver like UPS trucks Already going hard, just pumping that gas No one on the corner has swagger like us Hit me on my burner prepaid wireless We pack and deliver like UPS trucks Already going hard, just pumping that gas

[Chorus] All I wanna do is [Bang! Bang! Bang! Bang!] And [Ka-ching!] And take your money All I wanna do is [Bang! Bang! Bang! Bang!] And [Ka-ching!] And take your money All I wanna do is [Bang! Bang! Bang! Bang!] And [Ka-ching!] And take your money All I wanna do is [Bang! Bang! Bang! Bang!] And [Ka-ching!] And take your money

[Bridge] M.I.A., Third World Democracy Yeah, I've got more records than the KGB So, uh, no funny business (Are you ready all?) Some some some I some I murder Some I some I let go Some some some I some I murder Some I some I let go

[Chorus] All I wanna do is [Bang! Bang! Bang! Bang!] And [Ka-ching!] And take your money All I wanna do is [Bang! Bang! Bang! Bang!] And [Ka-ching!] And take your money All I wanna do is [Bang! Bang! Bang! Bang!] And [Ka-ching!] And take your money All I wanna do is [Bang! Bang! Bang! Bang!] And [Ka-ching!] And take your money

Stanza-by-Stanza Meaning and Analysis

Understanding "Paper Planes" requires looking beyond the catchy beat and provocative sounds. The song is an exercise in irony, designed to confront the listener with their own biases.

Verse 1: The Visa Struggle and Border Identity

The opening lines, "I fly like paper, get high like planes," serve a dual purpose. While "getting high" is a common slang for drug use, in this context, it primarily refers to the literal movement of people across borders—refugees and immigrants seeking a better life. The mention of "visas in my name" is deeply personal to M.I.A. In 2006, she was denied a visa to work in the United States due to her alleged political affiliations and her father's history in the Sri Lankan civil war.

The line "If you come around here, I make 'em all day" refers to the underground economy of counterfeit documents. It mocks the Western fear that every immigrant is a potential forger or a "scammer" trying to bypass legal systems.

The Chorus: The "Take Your Money" Hook

The most famous part of the song features four loud gunshots followed by the sound of a cash register. By saying "All I wanna do is... take your money," M.I.A. adopts the persona of the "dangerous immigrant" that tabloid media often portrays. The gunshots represent the perceived violence, and the cash register represents the "economic threat." It is a satirical mirror held up to the face of xenophobia—giving the prejudiced exactly what they expect to hear in the most exaggerated way possible.

Verse 2: The Hustle on the Trains

"Sometimes I think sittin' on trains / Every stop I get to I'm clockin' that game." This verse describes the grind of urban life and the necessity of "hustling" to survive. It speaks to the resilience of the working class and the immigrant community who are often excluded from traditional job markets and must find "winners" in every opportunity.

Verse 3: Poison for the System

The imagery of "Pirate skulls and bones" and "Lethal poison for the system" reinforces the idea of being an outsider. In a post-9/11 world, M.I.A. felt that her identity was viewed as a threat to the Western system. Instead of shying away, she leans into the "pirate" aesthetic—an entity that operates outside the law of the state.

Verse 4: The Burner Phone Culture

References to "burner prepaid wireless" and "packing and delivering like UPS trucks" link the immigrant experience to the underground street economy. It captures the "swagger" of those who survive on the margins of society, utilizing tools like prepaid phones to avoid surveillance—a common reality for those with precarious legal status.

The Production Behind the Song

"Paper Planes" is as much a technical achievement as it is a lyrical one. The song was recorded in Trinidad and London, reflecting a global sound that was revolutionary for 2007.

The Influence of The Clash

The backbone of the track is a slowed-down sample of The Clash’s 1982 song "Straight to Hell." The original song by The Clash also dealt with themes of displacement, specifically the abandoned children of American GIs in Vietnam. By sampling this particular track, M.I.A. connects her modern narrative of immigration to a historical lineage of anti-establishment punk rock.

The Role of Diplo and Switch

Producers Diplo and Switch helped craft the minimalist, beat-heavy sound. The decision to use actual gunshot sound effects instead of a standard percussion hit was a bold move that initially led to some radio stations attempting to censor the track. However, M.I.A. fought to keep them, arguing that these sounds are part of the daily soundscape for people living in war zones.

Cultural Impact and Legacy

"Paper Planes" became an unexpected anthem. It reached the Top 5 on the Billboard Hot 100, a rare feat for a song with such overtly political and experimental themes.

  1. Film and Media: The song gained massive exposure after being featured in the trailer for Pineapple Express and the Academy Award-winning film Slumdog Millionaire.
  2. Sampling by Rap Royalty: The song's influence was cemented when Jay-Z, T.I., Kanye West, and Lil Wayne sampled it for their 2008 hit "Swagga Like Us."
  3. A Global Anthem: For many, the song became a symbol of "Third World" pride and the defiance of the marginalized. It stripped away the victim narrative often associated with refugees and replaced it with power and "swagger."

Identifying the Confusion: Is there another "MIA Take Your Money" song?

While M.I.A. is the most prominent artist associated with these lyrics, some listeners may be searching for Mia Kodak.

Mia Kodak - "Take His Money"

Mia Kodak released a song titled "Take His Money" which belongs to the Hip-Hop/Rap genre. Unlike the satirical and political nature of M.I.A.'s track, Mia Kodak’s song is a contemporary "hustle" anthem focused on female empowerment through financial gain and street-smart confidence.

Key Lyrics from Mia Kodak's "Take His Money":

  • "Take his money, take all that [expletive] money."
  • "I'm getting bags, I got all these [expletive] pressed."
  • "Chasing money while you broke [expletive] chasing fame."

If the song you are looking for has a heavy 808-bass trap sound and more explicit street lyrics, you might be looking for Mia Kodak. However, if it features the iconic "Straight to Hell" riff and gunshot sounds, it is definitely M.I.A.

FAQ: Frequently Asked Questions about the Lyrics

Why are there gunshots in the song?

The gunshots are a satirical representation of the violence Westerners associate with immigrants from the "Third World." M.I.A. intended them to be jarring to highlight the absurdity of these stereotypes.

Did M.I.A. get in trouble for the lyrics?

While the song caused controversy and some radio edits replaced the gunshots with different sounds, it did not lead to legal trouble. Instead, it sparked a global conversation about immigration and art.

What does "M.I.A." stand for?

While it commonly stands for "Missing In Action," the artist has also stated it stands for "Missing In Acton," referring to Acton, London, where she grew up.

Is the song about robbing people?

Literally, no. Metaphorically, it is about how the Western world perceives the arrival of immigrants as an economic "robbery" of their resources.

Summary of MIA's "Paper Planes"

M.I.A.'s "Paper Planes" remains one of the most significant tracks of the 21st century. By combining a catchy hook like "take your money" with deep political resentment and clever sampling, she created a pop song that forced the mainstream to listen to the perspective of the "outsider." Whether you hear it as a club banger or a political manifesto, its impact on music and social discourse is undeniable.